Each person is a universe where stories are housed and talents may be discovered, unearthed. We all have practices and knowledge in our bodies and minds, that invariably enrich what we do, sometimes in an indirect and mysterious way. In the BOWING Project, we go in search of the hidden treasures of each person - try to discover what each one does well. This is the raw material of creation. In getting to know the people, the groups, the most varied activities rise to the surface: there are those who can paint with henna, cook samosas, lead meditations, play soccer. We invite the participants to do what they know and what gives them pleasure, transforming and transporting this activity to an artistic level. This finds us painting with henna while telling a story, describing the spices used in cooking and building a landscape with them, inviting the audience to meditate in a big circle, creating a dance sequence from soccer movements. It is a game between comfort and discomfort: we ask people to teach us what they are good at, but we challenge them to rediscover that practice by transforming it artistically. There is an enthusiasm born in those who experience their knowledge as valued, feeling that what they have learned throughout their lives is now made evident in a beautiful way. Sometimes the practices are hardly even transformed: Taranpreet danced her choreography; the three young rappers sang their song; two children played badminton as they usually do at school. What is transformed is the context: Taranpreet danced her choreography in a lighted parking lot to the sound of a music somewhere between freejazz and punjabi pop; badminton was played by two boys dressed in Kurta Pajama; the rappers were backed by the band Chão Maior. When you see someone doing what they know very well, their body lights up, becoming virtuosic. This happens in activities such as the ritual of putting on a turban.